Сharacters in the play
Boris Statsenko performs the role of Enrico Ashton
Lucia soprano
Enrico Ashton, Laird of Lammermoor, Lucias brother baritone
Edgardo, Laird of Ravenswood tenor
Lord Arturo Bucklaw, Lucias bridegroom tenor
Raimondo Bidebent, a Calvinist chaplain bass
Alisa, Lucias companion mezzo-soprano
Normanno, huntsman, a retainer of Enrico tenor
Creation
Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvatore Cammarano wrote the Italian libretto based upon Sir Walter Scotts historical novel The Bride of Lammermoor. Today, it remains one of the leading bel canto operas. The opera premiered on September 26, 1835 at the Teatro San Carlo in Naples. Donizetti revised the score for a French version which debuted on August 6, 1839 at the Théâtre de la Renaissance in Paris. The French version was the first to be performed in the United States on December 28, 1841 in New Orleans (the original version came to the U.S. several months later, also to New Orleans).
Сontents
Act 1
Scene 1: The gardens of Ravenswood Castle
Normanno (Norman), captain of the castle guard, and other retainers are searching for an intruder. He tells Enrico that he believes that the man is Edgardo, and that he comes to the castle to meet Lucia. It is confirmed that Edgardo is indeed the intruder. Enrico reaffirms his hatred for the family and his determination to end the relationship.
Scene 2: By a fountain at the entrance to the park, beside the castle Lucia waits for Edgardo. In her famous aria Regnava nel Silenzio, Lucia tells her maid Alisa (Alice) that she has seen the ghost of a girl killed on the very same spot by a jealous Ravenswood ancestor. Alisa tells Lucia that the apparition is a warning and that she must give up her love for Edgardo. Edgardo enters. For political reasons, he must leave immediately for France. He hopes to make his peace with Enrico and marry Lucia. Lucia tells him this is impossible, and instead they take a sworn vow of marriage and exchange rings. Edgardo leaves.
Act 2
Scene 1: Lord Ashtons apartments in Ravenswood Castle
Preparations have been made for the imminent wedding of Lucia to Arturo. Enrico worries about whether Lucia will really submit to the wedding. He shows his sister a forged letter seemingly proving that Edgardo has forgotten her and taken a new lover. Enrico leaves Lucia to further persuasion this time by Raimondo (Raymond), Lucias chaplain and tutor, that she should renounce her vow to Edgardo, for the good of the family, and marry Arturo.
Scene 2: A hall in the castle Arturo arrives for the marriage. Lucia acts strangely, but Enrico explains that this is due to the death of her mother. Arturo signs the marriage contract, followed reluctantly by Lucia. At that point Edgardo suddenly appears in the hall. Raimondo prevents a fight, but he shows Lucias signature on the marriage contract to Edgardo. He curses her, demanding that they return their rings to each other. He tramples his ring on the ground, before being forced out of the castle.
Act 3
Scene 1: The Wolfs Crag
Enrico visits Edgardo to challenge him to a duel. He tells him that Lucia is already enjoying her bridal bed. Edgardo agrees to fight him. They will meet later by the graveyard of the Ravenswoods, near the Wolfs Crag.
Scene 2: A Hall in Ravenswood castle
Raimondo interrupts the marriage celebrations to tell the guests that Lucia has gone mad and killed her bridegroom. Lucia enters. In the aria Il dolce suono she imagines being with Edgardo, soon to be happily married. Enrico enters and at first threatens Lucia but later softens when he realizes her condition. Lucia collapses. Raimondo blames Normanno for precipitating the whole tragedy.
Set design for iii.3 by Francesco Bagnara, ca 1844 (Civica Raccolta Stampe Bertarelli Milan) Scene 3: The graveyard of the Ravenswood family Edgardo is resolved to kill himself on Enricos sword. He learns that Lucia is dying and then Raimondo comes to tell him that she has already died. Edgardo stabs himself with a dagger, hoping to be re-unified with Lucia in heaven. [This synopsis by Simon Holledge was first published on Opera japonica http://www.operajaponica.org and appears here by permission.]
